We want to free pantomime, rip it from its chains, break the glass wall and drag the decaying skeleton of Mime Theater into the vortex of contemporary performance.We want to drag classical forms through the bubbling mud of modern art. The human body is freed by the very things that confine it – movement, rhythm, emotion. We create new spaces for our bodies that also serve to constrain us.
We mold the timeless clay of physicality into new shapes and forms, we reflect contemporary reality in all of its radiance and filth, purpose and absurdity. We seek something that we can never find, because everything is in motion and is constantly changing. And movement is our language, constantly flowing, without end or beginning.
On stage, the human body is a mirror, reflecting the world around us.